I shot my first festival a few weeks ago! Every August long weekend SappyFest takes over a small part of downtown Sackville for swamp magic. It’s nostalgia. It’s reunion. It’s incredible art and artists. This year was the 20th year and with my push for more pro work this year I reached out for a photo pass. It was three 14 hour days of shooting incredible acts and moments, and I’m still riding the high. Some high level takeaways:
Hearing protection was key! I have a pair of Loop Quiet earbuds and they were comfortable all weekend. Highly recommended.
Properly lit stages are an absolute pleasure to photograph and enabled me to easily use my zoom lenses. It look a few songs to get used to composing with zooms but what a treat after that.
Having primes stashed nearby made it a breeze to transition to the venues that were lit a bit more poorly.
The 8-16 2.8 wasn’t used for a lot, but what it was used for was pretty mind blowing.
Delivering photos to Instagram stories directly out of camera really levelled up the experience for a lot of artists - Fuji delivers some incredible colors right out of camera which made this really easy.
Switching to your secondary is always faster than reloading… If you have a secondary.
On the last note, I regret not pursuing a second X-T5 prior to the festival. The number of lens changes made for some definite missed shots and it was more jumbling around with an open sensor in an outdoor setting than was necessary. I was stalking a few on eBay in the weeks leading up to the festival but never bit the bullet. Shortly after the festival I did end up buying a new one from Vistek, and after shooting my first show with two bodies last week, I can safely say I don’t think I can go back!
Setup was dead simple - I made sure both bodies were on the same firmware, backed up the settings from the old body using the Fuji app on my phone, then restored them to the new body. Voila, identical cameras. The only thing I had to tweak was updating the file naming in both cameras to ensure they’re unique - DSCF became DSC1 and DSC2.
The current kit for live shows in poorly lit venues, taken with the X100V and a bit of fill flash.
Muscle memory makes it feel like I’m just using the same camera. It’s truly just like switching lenses, without the time and fumbling associated with swapping. I have a few things to figure out, like effectively using/carrying both, but I think I’ll be grabbing a BlackRapid dual strap for that purpose. Currently my main body hangs around on the capture clip on the side of my sling, whereas the secondary is on a Peak Design leash.
Along with the X-T5 I also upgraded my 56 1.2 R to the 56 1.2 R WR. There’s a lot of discourse online that swings wildly differently - Some say the new lens is incredibly better, some say it’s not worth the extra. I’ve shot a few shows using it now and as someone who shoots a lot of low-light venues I can comfortably say it’s a noticeable upgrade from the 56 1.2 R.
The autofocus is of similar speed with a slight edge going to the newer version.
The autofocus confidence is a lot higher on the new version. The old version would usually grab the microphone instead of an eye at shallower depth of field, but the new version hits the eye 99% of the time.
The new version is considerably sharper at f1.2-f1.8. Beyond that it’s about the same.
The newer lens has more micro contrast.
The newer lens has better bokeh due to more aperture blades.
The newer lens is bigger but doesn’t feel any bigger. It fits well in the kit still.
Old lens on the left, new lens on the right. Manual settings at f1.2 on a tripod, same focus point. The old version is softer, less contrasty, and doesn’t resolve as much detail at 40mp.
Overall I’m very happy with the upgrade from the old to new lens. The look is very in line with the 23 1.4 which makes post-processing a lot easier. I’ve got some hopes to grab the 18 1.4 and 33 1.4 at some point, and there’s also the siren call of the Viltrox 75 1.2, but I’m pretty darn happy with my current spread of glass!